May. 20. 2012. 10:53 am

OOOOONNNNGGGGGG BAAAAAAAAAAAK!!*&^^??//**

… last few TWO weeks rolling up and out, in fact it is purely incidental that the remaining screenings are slipping into violence. before may is done there will be no popping corn just spanners and burnt out mopeds and you will have to take shards of the cinema home with you. The other colorama IS drowning - raining inside on itself. and the developers are circling above us, . SO this tuesday we will watch tony jaa muay thai legend spinning his legs on fire at baddies.

TUESDAY 23rd

DOORS 8PM/ STARTS 8.30PM

perhaps sign the petionition recommending colorama is not flattened for unaffordable housing. This thread has more info. deadline 23rd may, best drink more gin.

May. 14. 2012. 03:04 pm

WED 16 MAY

Love in the Time of the Frontier

Three short films on migrations, detentions and expulsions across the Mediterranean


by Alexandra D’Onofrio
produced by FortressEurope
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Three short films that trace the lives of Kabbour, Nizar and Abderrahim and their encounters with the North Africa/Europe border, Italian immigration centres and expulsion procedures, but also with love, paternity and solitude.
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Luck will save me (18 minutes)

The films will be followed by discussion with the director, Alexandra D’Onofrio, and the producer, Gabriele Del Grande

DOORS 20:30/ START 21:00
May. 14. 2012. 02:56 pm
TUE 15 MAY
COME AND SEE (1985) - Dir. Elem Klimov
“And when he had opened the fourth seal, I heard the voice of the fourth beast say, Come and see. And I looked, and behold a pale horse: and his name that sat on him was Death, and Hell followed with him. And power was given unto them over the fourth part of the earth, to kill with sword, and with hunger, and with death, and with the beasts of the earth.”
DOORS 20:00/ START 20:30

TUE 15 MAY

COME AND SEE (1985) - Dir. Elem Klimov

“And when he had opened the fourth seal, I heard the voice of the fourth beast say, Come and see. And I looked, and behold a pale horse: and his name that sat on him was Death, and Hell followed with him. And power was given unto them over the fourth part of the earth, to kill with sword, and with hunger, and with death, and with the beasts of the earth.”

DOORS 20:00/ START 20:30

May. 10. 2012. 05:11 pm 1 note

THIS SUNDAY 13TH MAY: AGRICULTURAL FILM CLUB

DOORS 7PM + SEED AND PLANT SWAP

THE POWER OF COMMUNITY: How Cuba survived Peak Oil

Produced by Community Solutions; Directed by Faith Morgan (53min)

When Cuba lost access to Soviet oil in the early 1990s, the country faced an immediate crisis – feeding the population – and an ongoing challenge: how to create a new low-energy society. This film tells the story of the Cuban people’s hardship, ingenuity, and triumph over sudden adversity – through cooperation, conservation, and community. 

May. 09. 2012. 09:10 pm

THU 9 MAY 

THE PIPE (2009) - Dir. Risteard O’Domhnaill

In a remote corner of the West of Ireland sits Broadhaven Bay. It is the perfect picture postcard, where the high cliffs of Erris Head and the Stags of Broadhaven stand sentry at the mouth of the bay against the mighty Atlantic, as if protecting the delicate golden sands of Glengad beach and the tiny village of Rossport, which nestles behind the dunes. However, this peaceful tranquility belies the turmoil that lies beneath, and the unique nature of the coastline which has sustained generations of farmers and fishermen, has also delivered to Shell Oil the perfect landfall for the Corrib Gas Pipeline.

On 29th June, 2005, five men from the townland of Rossport, Co. Mayo, were imprisoned for 94 days for defying a court injunction allowing Shell Oil workers to enter their land to lay a high pressure, raw gas pipeline close to their homes. It soon became clear that the Irish state had subverted the constitutional rights of its citizens in order to facilitate Shell to ‘grab’ tracts of farmland against the wishes of the landowners. In a land where the memory of British landlords survives in the psyche, Shell’s attempt to force through the pipe evoked huge emotion.  The community reacted against this aggressive ‘invasion’ from outside by blockading Shell’s multi-billion euro refinery and pipeline, bringing the project to a complete halt . The whole Corrib saga proved to be a huge public relations disaster for Shell around the world. However Shell quickly recovered from this and within a year the Irish government sent a force of over 200 police to this tiny community to break the blockade and facilitate the resuming of work on the project. In an area which previously had only one policeman, this forced removal of local people from the gates of the refinery set in train a cycle of conflict which goes on to this day.

‘The Pipe’ follows 3 members of this small community from a quiet rural life to the arrival of Shell into their community, and the fear and anxiety which the impending project brings. Not only are they flung into a tumultuous struggle with Shell and the state, but they are also forced to battle with elements within their own campaign who seek to divide and control, as their community is torn apart by the stresses of choosing to support or oppose the oil company. Yet, despite the seriousness of the events surrounding them, their resilience and humanity never wains, and even in their darkest moments their wit and humour has an uncanny ability to counter the despair

As the story develops, we begin to understand farmer Willie Corduff’s connection to the land which was handed down to him by his father, and why he is prepared to go to prison rather than allow Shell to take the fields that his father reclaimed from the peat with nothing but a shovel. We feel for Willie and his wife, Mary, as they become exhausted and disillusioned with the campaign as external forces hijack and manipulate the local cause. They see Shell encroaching around their remote farm no matter what they do. Monica Muller, who moved from Germany to the refuge of a small idyllic farm in Rossport over 30 years ago, was ostracised by her neighbours and accused of ‘selling-out’ due to her adherence to Shell’s injunction, and acceptance that the project is going ahead. However, when Shell change their plans and try to move the pipeline route onto the peat bog ‘commonage’ held in common by all Rossport residents, Monica discovers that Shell have not been fully honest in their dealings with her and so begins a court battle which has implications for the entire project, and Monica’s torn relationship with her neighbours. Pat ‘The Chief’ O Donnell is the bays most renowned fisherman, and a local hero following a dramatic sea rescue 14 years ago. He and his son become bogged down in the courts and criminalised due to their refusal to accept compensation and move out of the way for the Shell contractors at sea. Legal bills and boats tied up due to days spent in court are forcing Pat into a desperate corner both financially and mentally. In spite of this, when the worlds largest pipelaying ship, The Solitaire, enters Broadhaven Bay to lay the offshore pipe, Pat ‘The Chief’ O’Donnell stands alone between it and connecting the pipe to the beach-head.

In the most dramatic clash of cultures in modern Ireland, the rights of farmers over their fields, and of fishermen to their fishing grounds, has come in direct conflict with one of the worlds most powerful oil companies. When the citizens look to their state to protect their rights, they find that the state has put Shell’s right to lay a pipeline over their own.

The Pipe is a story of a community tragically divided, and how they deal with a pipe that could bring economic prosperity or destruction of a way of life shared for generations.

DOORS 19.30 / STARTS 20.00

May. 08. 2012. 05:55 pm

TUE 8th MAY

AKIRA (1988) - Katsuhiro Otomo

Doors 8pm - Start 8.30

May. 06. 2012. 11:04 am
SUN 6 MAY
The Moon and the Sledgehammer (1971) - Dir. Philip Trevelyan
The Pages live in a ramshackle house situated in six acres of woodland, which they own themselves, in the heart of the commuter-belt, 20 miles south of London. The trees cut the Pages off completely from the outside world, and isolated in their island-clearing, they let the 20th Century slowly pass them by. It is a simple life without running water, electricity or gas. Peter and Jim earn what little money the family needs by doing casual repairs to tractors and farm-machinery in the neighbourhood. Machinery is the permanent obsession of Mr Page and his sons. The wood is littered with rusty iron carcasses: parts of old engines, disembowelled car-bodies: a pile of gigantic spanners. Most spectacular are the archaic steam traction-engines which the men tinker with and drive thunderously about the woodland to no apparent purpose. The girls, too, have their special preoccupations: Nancy sits at her embroidery; Kathy tends her garden and plays comforting tunes on the harmonium in the house, or on the piano rotting away outside. As the film unfolds each member of the family spells out their personal fantasies and philosophies to the camera. For all their prodigious skills, they seem at first eccentric, quaint; their ideas tangential to our own. But in the end it emerges that they are in control of their world in a way that we can never be in control of ours.

Starts 8pm

SUN 6 MAY

The Moon and the Sledgehammer (1971) - Dir. Philip Trevelyan

The Pages live in a ramshackle house situated in six acres of woodland, which they own themselves, in the heart of the commuter-belt, 20 miles south of London. The trees cut the Pages off completely from the outside world, and isolated in their island-clearing, they let the 20th Century slowly pass them by. It is a simple life without running water, electricity or gas. Peter and Jim earn what little money the family needs by doing casual repairs to tractors and farm-machinery in the neighbourhood. Machinery is the permanent obsession of Mr Page and his sons. The wood is littered with rusty iron carcasses: parts of old engines, disembowelled car-bodies: a pile of gigantic spanners. Most spectacular are the archaic steam traction-engines which the men tinker with and drive thunderously about the woodland to no apparent purpose. The girls, too, have their special preoccupations: Nancy sits at her embroidery; Kathy tends her garden and plays comforting tunes on the harmonium in the house, or on the piano rotting away outside. As the film unfolds each member of the family spells out their personal fantasies and philosophies to the camera. For all their prodigious skills, they seem at first eccentric, quaint; their ideas tangential to our own. But in the end it emerges that they are in control of their world in a way that we can never be in control of ours.


Starts 8pm


May. 02. 2012. 01:51 pm

REMEMBER:

We open doors at 20:00 and start at 20:30.

You do not need to book and all screenings are free, just come along.

May. 01. 2012. 12:10 pm 1 note

TUE 1 MAY

DERSU UZALA (1975) - AKIRA KUROSAWA

DOORS 19:30/START 20:00

May. 01. 2012. 12:08 pm

Tue 1 May

DERSU UZALA (1975) - dir. Akira Kurosawa

The film is based on the 1923 memoir Dersu Uzala by Russian explorer Vladimir Arsenyev, about his exploration of the Sikhote-Alin region of Siberia over the course of multiple expeditions in the early 20th century.

The film is almost entirely shot outdoors in the Siberian wilderness and explores the theme of a native of the forests who is fully integrated into his environment, leading a style of life that will inevitably be destroyed by the advance of civilization. It is also about the growth of respect and deep friendship between two men of profoundly different backgrounds, and about the difficulty of coping with the loss of strength and ability that comes with old age.

Doors 7.30-Starts 8pm

April. 27. 2012. 02:02 pm

BHOPALI. MONDAY 30TH APRIL + Q&A

Bhopali is an award-winning feature documentary about the survivors of the world’s worst industrial disaster, the 1984 Union Carbide gas leak in Bhopal, India.
Today the suffering continues, prompting victims to fight for justice against Union Carbide (now Dow Chemical after a 2001 merger), the American corporation responsible for the disaster.
The film shows the successes of the grassroots organisations that have created  the inspiring Sambhavna Clinic and Chingari Trust, which offer free treatment to the victims of Union Carbide(now Dow)’s criminal negligence. The film also demonstrates how militant many of the activists in Bhopal, of all ages, are in their decades-long struggle for justice.
It is bleak but inspiring.

The urgency of this ongoing struggle becomes even more apparent when you realise that Dow are sponsoring the London Olympics. While the suffering in Bhopal continues to be immeasurable, Dow are happily promoting their ‘responsible’ corporate image on the world stage, using the London Olympics as a platform.

The film will be followed with a Q+A session with Sanjay Verma, a survivor of the gas disaster who features in the film.

DOORS 7.30

ALL SCREENINGS AT COLORAMA CINEMA ARE FREE AND OPEN TO EVERYONE.

April. 27. 2012. 01:59 pm

BHOPALI. SCREENING THIS MONDAY 30TH . DOORS 7.30

April. 26. 2012. 10:45 am

THU 26 APRIL


APOLITIK - Greek shorts from the crisis years


A showcase of short films created by young Greek directors in 2009-2011


“Under Stress”, 2011 by Pari Patsouridi

“Pistoma”, 2011 by Giorgos Fourtounis

“Dad, Lenin and Freddy”, 2011 by Rinio Dragasaki

“Goodbye Anesti”, 2011 by Dimitris Kanelopoulos

“Casus Belli”, 2010 by Yorgos Zois

“RF”, 2010, by Stavros Liokalos

“The dog”, 2009 by Nikos Labot

“Altis and the vegetable garden”, 2009 by Nana Loukou

STARTS 19:30

April. 19. 2012. 11:24 am 1 note

THE LUDDITES

THE LUDDITES, directed by richard broad, produced by taylor dowing

Q&A with Luddites 200 group and Michael Reinsborough

SUNDAY 22ND APRIL

DOORS 6PM

www.luddites200.org.uk

April. 17. 2012. 06:06 pm

TUE 17 APR

Modern Times (1936) - Charlie Chaplin


“…”

7.30 doors/ 8pm start